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"Ah," he said to himself, "true were the signs! How crazy I was to go against them! Now my bravery has been useless, for here I must stop and die. The widows will still mourn, and who will care for my father and mother in their old age? Pity me now, O Sun; help me, O Great Above Person! Give me life!" And by degrees, beneath her influence, Mona grows pale and distrait and in many respects unlike her old joyous self. Each cold, reproving glance and sneering word,—however carefully concealed—falls like a touch of ice upon her heart, chilling and withering her glad youth. Up to this she has led a bird's life, gay, insouciant, free and careless. Now her song seems checked, her sweetest notes are dying fast away through lack of sympathy. She is "cribbed, cabined, and confined," through no fault of her own, and grows listless and dispirited in her captivity. "I quite forgot it," she says, coloring with sudden fear, and then slowly, cautiously, she draws up to view the hated pistol he had left in the library the night before. She holds it out to him at arm's length, as though it is some noisome reptile, as doubtless indeed she considers it. "Take it," she says; "take it quickly. I brought it to you, meaning to return it. Good gracious! fancy my forgetting it! Why, it might have gone off and killed me, and I should have been none the wiser.".

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Rodney, with the boy at his side, is covering ground in a state of blissful uncertainty. He may be a mile from home, or ten miles, for all he knows, and the boy seems none the wiser. Scarce more than silence is, and yet a sound. "Where have you been, Mona?" he asks, quietly, gazing into the great honest liquid eyes raised so willingly to his own. "That is a pretty verse," she says, quietly. "But I do not know the poem. I should like to read it.".